State of the YouTube Music Economy 3.0 - End of the Beginning
Get full access to this report and assets
Already a MIDiA client? Login here to view this report.
If you are interested this report, or related reports such as State of the YouTube Music Economy 2.0 A Turning Point for All Parties, One Billion-Plus YouTube Music Videos Latin Takeover and State of the Streaming Nation 3.0 Multi-Paced Growth get in touch today to enquire about a report bundle.
The 20,000 Foot View: This is the third bi-annual report of its kind, providing the most comprehensive view available of the YouTube music economy. It presents data for revenues, royalty payments, streams, subscribers, user behaviour and user demographics. We explore success factors, cultural trends, monetisation frameworks and contextualise music’s performance against other content genres. Our unique set of consumption and monetisation metrics provides the definitive view of YouTube’s role in the global music economy and music’s role in the YouTube economy.
Key Insights
- Music is slower on YouTube than other genres: YouTube ad revenue was in 2019, of which music at billion, down from in
- Nonetheless, music the single largest ad revenue on YouTube, with games second billion
- Games over for video ad monetisation with videos and more ads, while sits below the overall average of views but of revenue
- Among the subscribed YouTube channels, music has most cumulative subscribers billion) and lifetime views billion)
- Successful non-Anglo channels deliver a much higher and velocity of content, helping drive subscriber engagement and improve
- There are one billion-plus-views music videos than and they are getting there from an average of days 2007 releases to days for
- Ed Sheeran the one billion-plus views list the greatest number of views billion generated by one billion-plus-views of all one billion-plus-views videos are collaborations
- Pop is largest single genre of music in the one billion-plus views with of the total; Latin second but is losing share, hip hop is growing of the views of the biggest music videos were from unofficial videos, with reworks such as cover versions and parodies the largest source of unofficial views
- Global social advertising revenues were billion in with music-related user-generated content at of which billion was music-related revenue
- After Spotify, is the second largest source music streaming royalties for rights generating royalties of billion across and subscriptions – but ad revenue per user lags behind at compared to
- YouTube dominates global music streaming market, with weekly active user penetration far of Spotify in second place YouTube’s music monthly active user is billion, compared to billion Spotify
- The long-term to rights holder income disparity come from a blend of that work in addition to licensing terms, such as monetising new music video formats and
Companies and brands mentioned in this report: Alphabet, ByteDance, Disney Music, Douyin, Google, Instagram, Soundcloud, Spinning Records, Spotify, Super Chat, TikTok, Vevo, Warner Music Group, YouTube