State of the Music Publishing Nation
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The 20,000 Foot View: This report, a first from MIDiA dedicated to the music publishing space, addresses the most important trends in the industry. With 2018 seeing revenues continue their accelerated growth and music publishing emerging as an asset class, now is opportune to reflect on one of the often misunderstood and hence undervalued aspects of the recorded music industry. From individual publishers’ market share to specific market growth and the shift in revenue sources for performance, mechanical and sync, this report is a must-read for anyone involved in music publishing or investing in the space.
Key Findings
- Music publishing in 2018 increased to billion, year-on-year (YoY)
- Sony/ATV had highest shares at followed by Music Publishing and Warner Chappell
- Sony and independent sector had the highest of the net new 2018 and respectively)
- In 2012, independent sector inclusive of BMG Kobalt accounted for around of publishing revenues. By 2018, this was
- The rise streaming has continued to haemorrhage rights revenue, which fell by 2018 to million
- Sony/ ATV its publishing revenue in 2018 million, influenced by the completion the EMI acquisition
- Kobalt and the two largest independent players the market, both maintained around the global publishing market
- Mechanical royalties by to million in 2018 performance royalties grew by to million
- Global music revenues were billion in 2018, from 2017, and will rise billion in 2026
- Performance income hit billion in 2026
- Streaming video, licensing and administration, micro licensing streaming threats will shape the for music publishing
Companies and brands mentioned in this report: Armonia, BMAT, Dataclef, Epidemic Sound, GEMA, ICE, IPRS, Jukedeck, Medianet, Mint, OCL, PRSfM, Qwire, SACEM, SESAC, SGAE, SIAE, SOCAN, STIM, SUISA, BMG, Kobalt, Sony ATV, Spotify, Universal Music Group, Warner Music Group