Music Publishing At A Cross Roads How Streaming Is Transforming The Outlook For Music Publishers
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The 20,000 Foot View
Everything starts with the song yet music publishers have often been the last part of the digital equation. Relative insulation from the effects of declining music sales have enabled publishers to have a far less digital centric worldview than record labels. Streaming is now acting as a catalyst for great publisher engagement in the digital marketplace. Historically music publishers have enjoyed a highly diversified revenue base with clearly demarcated rights. But these analogue era delineations are being tested, often to breaking point, by new emerging digital use cases. This coupled with songwriter dissatisfaction and calls for great transparency mean that the outlook for music publishing is much less straight forward than it was five years ago.
Key Findings
- Global music revenue grew from billion in to billion in 2014. This contrasts with a decline in label revenue over the same
- At the time music publisher digital revenue increased from to
- Music industry since 2000 has been a label phenomenon with both love music publisher revenue growing throughout of the period
- Performance royalties music publisher revenue with billion, the total and grew by 2014
- The diversity revenue streams means that music were largely insulated from much the digital disruption that drove record label revenues
- The accelerated in music sales that has the rise in streaming is translating into declining mechanical royalties now represent less than a of publisher revenue
- Sony ATV a market share while innovative Kobalt and BMG have both grown market share
- The music royalty landscape is characterized by slow reporting cycles, lack of and poor quality data
- Innovations in and music publishers’ push for larger share of digital rights will be key issues over next few years
Companies mentioned in this report: Sony ATV, Warner Chappel, Universal Music Publishing, Kobalt, BMG, Round Hill Music, PRS for Music, Spotify