Creator Tools The Music Industry’s New Top of Funnel
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The 20,000 foot view: Music production has traditionally been, at best, an adjacent industry to the recording business, and at worst simply a cost centre. That is now all changing. disruption catalysed the already-rapid shift towards affordable production tools and the rise of a new generation of online platforms that are reimagining music production as SAAS-based communities. This represents the most important product strategy shift music has faced in decades, but it is also much more than just that. Adding to an already vibrant creator tools marketplace, this new breed of services is reinventing the creative process and will similarly reshape the long-term view of what a music company is. The production business and the recording business are about to become intertwined.
Key Insights
CREATORS AND THE CREATOR TOOLS MARKETPLACE
- Music creators a large, addressable audience million of which million are self-releasing direct, up from million in was a catalyst for music production: of independent artists made more music and did more online collaboration during lockdown, with music software and hardware sales booming and key search terms doubling
- Production, distribution marketing are the three aspects the music value chain that consider most critical to invest for success: regularly spend on and VSTs, on marketing, on
MUSIC PRODUCTION
- FL Studio, Pro and Ableton Live are most widely-used digital audio workstations but this stable market is transformed by new tools and
- Artists are heavily on software and sounds, electronic music producers spending more a thousand dollars a year these categories
- The music space is saturated, complex and feel inaccessible to new producers; are more than 2,000 software in market. A new breed music tools is emerging that focuses on simplicity and elegant
- The music market has a long tail companies but also has a number of large and medium-sized including Avid million), Native Instruments and Ableton million)
OUTLOOK
- Music software, and services generated million in with Plugins and VSTs the single segment and total revenues grow to billion by 2027 sounds and services the two growth drivers
- Growth will driven by new models, more tools and the rise of services, making the market majority by 2026, with subscription services million by 2027, up from in 2019
- SAAS-based creator are becoming the new top funnel, establishing meaningful relationships with before they even release. Creator will push down the funnel streaming services will use creator to push up
- Collaboration and participation will become ever more to the making of music, trend that will be accelerated younger audiences
Companies and brands mentioned in this report: Ableton, Ableton Live, AIR, Akai Professional, Aloha, Amuse, Android, Apogee, Apple, Arcade, Avid, Beatstars, BandLab, CD Baby, Elk, Fender, fiverr, Google, Image Line, FL Studio, Garageband, Guitar Center, iPhone Pro, Kontakt, LANDR, Logic Pro, Logic Remote, Maschine, Mixcloud, Native Instruments, Output, Pro Tools, Reverb, Roland, Soundbetter, Soundcloud, Soundstorming, Soundtrap, Splice, Spotify, Structure, TikTok, Traktor, TuneCore, Waves, YouTube
NOTE – The dataset published alongside this report includes:
- Music software, and services revenues and forecasts
- Creator tools value chain
- Music software tracker (plugins, VSTs, DAWs, rent-to-own, DJ tools)
- Creator tools directory