TV Show Fandom Measuring TV Shows’ Real Appeal
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The 20,000 Foot View: The TV industry is in a measurement crisis. Ever more, viewing is shifting from the linear schedule and leading streaming services are heavily guarded about their data, creating a measurement blind spot. Social behaviour and piracy activity provide an additional source of information, but not an alternative. With the prime time linear slot set to have progressively less impact on viewing, TV companies need to understand better the true value of the fan bases for shows. To this end, MIDiA Research is now tracking audience demand for over more than (predominately scripted drama) shows through a quarterly tracking survey. This report gives a sneak peak of this the tracking data to illustrate the value of measuring fandom.
Key Findings
- The double challenge TV companies face in streaming era is: how to success; how to measure it
- Success is longer confined to nor defined linear broadcast, with time and shifting, social media and linear (eg prime time slots) all results
- In the age of social media it easy to gain the impression many TV shows are bigger they actually are
- Game Of may have boast cultural event but it only has the fan audience with just fan
- The Big Theory and NCIS are have top fan audiences but under on Twitter mentions because their under index for Twitter usage
- Across all the top shows year olds markedly higher fan penetration rates for the all consumers average
- CBS and BBC have the largest shares top TV show fan audiences and respectively, with Netflix on
- Viacom and CW have clear youth appeal, indexing among year olds, and for of all top fan among this age demographic
- While The Bang Theory is the top in the US, Canada and Sherlock holds this place in UK with fan penetration
- Sherlock fans the highest streaming IQ, with binge viewing (across all TV compared to for The Big Theory
- Companies right the TV industry value chain to counter the current measurement spot in leading SVOD services
- The prime linear slot will become progressively able to create genetically modified
Companies and brands mentioned in this report: Affinio, AMC, Legacy, A+E, Amazon Prime, Apple Music, Arrow, BBC, CBS, Chicago Fire, Chicago Med, Daredevil, Doctor Who, Downton Abbey, Endemol, Facebook, Fox, Game Of Thrones, HBO, House Of Cards, ITV, Madam Secretary, NBC, NCIS, Netflix, Parrot Analytics, Sherlock, Stranger Things, Spotify, Top Gear, The Big Bang Theory, The CW, The Flash, The Voice, Twitter, Viacom, Vikings, The Walking Dead, Westworld